{"id":4299,"date":"2024-05-10T15:12:31","date_gmt":"2024-05-10T15:12:31","guid":{"rendered":"https:\/\/theatreagora.ca\/?post_type=agoraevent&p=4299"},"modified":"2024-05-10T15:12:32","modified_gmt":"2024-05-10T15:12:32","slug":"seances-paralleles-iv-atelier-danse","status":"publish","type":"agoraevent","link":"https:\/\/theatreagora.ca\/fr\/agoraevent\/seances-paralleles-iv-atelier-danse\/","title":{"rendered":"S\u00e9ances parall\u00e8les IV – Atelier-danse"},"content":{"rendered":"\n

Camille Renarhd et Marie Bardet<\/strong><\/p>\n\n\n\n

Nous re-poser avec le territoire <\/em><\/strong><\/p>\n\n\n\n

Dans cet atelier in situ<\/em>, nous nous proposons de nous d\u00e9-poser, de nous re-poser et de siester afin d\u2019interroger nos mani\u00e8res de poser un geste sensible qui plut\u00f4t que de s\u2019imposer ou de se faire voir, chercherait \u00e0 se faire oublier, \u00e0 glisser, \u00e0 s\u2019\u00e9vanouir et \u00e0 faire appara\u00eetre autre chose, autour. <\/p>\n\n\n\n

Comment changer de posture pour tendre vers<\/em> et danser avec un territoire dans un \u00e9tat de demi-sommeil ? Quelle disponibilit\u00e9 \u00e0 l\u2019infime, aux sols, aux airs, \u00e0 ce qui se trame par en-dessous, de c\u00f4t\u00e9, cela demande-t-il ? Quelles vuln\u00e9rabilit\u00e9s s\u2019invitent lorsque nous nous endormons dans un espace public ? Quels sont les corps et les histoires qui peuvent s\u2019y re-poser ? Comment le territoire nous fait-il r\u00eaver, halluciner ?<\/p>\n\n\n\n

Entre fabulation et con-spiration, nous fr\u00e9quenterons les interstices, les failles et les glissements de terrain de ce qui se d\u00e9-pose entre pratiques (\u00e9co)somatiques, dans\u00e9es, de lecture et d\u2019\u00e9criture.<\/p>\n\n\n\n

Bio :<\/strong> Camille Renarhd<\/strong> est une artiste trans(e)_disciplinaire et chercheuse enracin\u00e9e \u00e0 Tiohti\u00e1:ke\/Mooniyang\/Montr\u00e9al. Iel s\u2019int\u00e9resse aux processus collectifs-cr\u00e9atifs-activistes-po\u00e9tiques-politiques<\/em>, en un seul mot. Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans des lieux d\u00e9di\u00e9s autant aux arts vivants qu\u2019aux arts visuels (ex. Agora de la danse, Mtl; Palais de Tokyo, FR; Centro Nacional de las Artes, MX; Festival UnDrum, Suoni Per Il Popolo, Mtl). En 2021, iel obtient un doctorat en \u00c9tudes et Pratiques des Art (Prix M\u00e9rite Meilleure Th\u00e8se de l\u2019UQAM). Sa th\u00e8se en recherche-cr\u00e9ation porte sur les rituels performatifs en art actuel et interroge les passages entre immersion In Situ, In Socius<\/em> et la cr\u00e9ation d\u2019une \u0153uvre artistique partag\u00e9e avec des spectateurices. Iel a \u00e9t\u00e9 chercheuse associ\u00e9e au Centre for Interdisciplinary Studies in Society and Culture \u00e0 l\u2019Universit\u00e9 Concordia (2021-2023) et est depuis cette ann\u00e9e professeure \u00e0 l\u2019\u00c9cole Sup\u00e9rieure de Th\u00e9\u00e2tre \u00e0 l\u2019UQAM. Ses travaux actuels explorent les intersections entre rituels performatifs, danse, \u00e9cologie politique, somatiques, art sonore et espaces de soin.\u00a0<\/p>\n\n\n\n

Marie Bardet<\/strong> est enseignante-chercheuse de l\u2019EIDAES (\u00c9cole Interdisciplinaire en Hautes \u00c9tudes Sociales) UNSAM-Argentine, et dirige le master en Pratiques artistiques contemporaines de son \u00c9cole d\u2019Art et Patrimoine. N\u00e9e dans un petit village en France, elle vit et travaille depuis deux d\u00e9cennies \u00e0 Buenos Aires. Ses actions et ses pens\u00e9es d\u00e9placent les fronti\u00e8res entre th\u00e9orie et pratique, et se nourrissent autant de l\u2019improvisation en danse et des pratiques somatiques que de la philosophie contemporaine et des pens\u00e9es-pratiques f\u00e9ministes queer\/cuir. Elle s\u2019int\u00e9resse aux probl\u00e8mes qui, \u00e0 travers les gestes et les mati\u00e8res sensibles, composent des espaces communs o\u00f9 exercer \u00e0 la fois une pens\u00e9e situ\u00e9e, une multiplicit\u00e9 artistique et une inqui\u00e9tude politique. Elle accompagne des processus de recherche et cr\u00e9ation et enseigne dans diff\u00e9rentes universit\u00e9s et mus\u00e9es (MUAC Mexico; MITAV Bogot\u00e1; Mus\u00e9e Reina Sof\u00eda Madrid), et a publi\u00e9 plusieurs ouvrages (dont Perder la cara, Cactus, 2021 ; Una paradoja moviente: Lo\u00efe Fuller, Eduvim, 2021; Hacer Mundos con Gestos, Cactus, 2019; Penser et Mouvoir, L’Harmattan, 2011).<\/p>\n","protected":false},"excerpt":{"rendered":"

Camille Renarhd et Marie Bardet Nous re-poser avec le territoire  Dans cet atelier in situ, nous nous proposons de nous d\u00e9-poser, de nous re-poser et de siester afin…<\/p>\n","protected":false},"author":246,"featured_media":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"tags":[],"timezone":[334],"eventtype":[481],"eventformat":[363],"eventhost":[367],"eventseries":[479],"themes":[],"accessibility":[381],"class_list":["post-4299","agoraevent","type-agoraevent","status-publish","format-standard","has-post-thumbnail","hentry","timezone-hne","eventtype-atelier","eventformat-en-personne","eventhost-sqet-fr","eventseries-conference-sqet-2024","accessibility-lieu-accessible"],"acf":[],"yoast_head":"\nS\u00e9ances parall\u00e8les IV - Atelier-danse - TheatreAgora.ca<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"S\u00e9ances parall\u00e8les IV - 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