{"id":6953,"date":"2025-05-14T15:38:11","date_gmt":"2025-05-14T15:38:11","guid":{"rendered":"https:\/\/theatreagora.ca\/?post_type=agoraevent&p=6953"},"modified":"2025-06-02T20:47:50","modified_gmt":"2025-06-02T20:47:50","slug":"seance-4-bruissements-entretisser-les-voix","status":"publish","type":"agoraevent","link":"https:\/\/theatreagora.ca\/fr\/agoraevent\/seance-4-bruissements-entretisser-les-voix\/","title":{"rendered":"S\u00e9ance 4. Bruissements : entretisser les voix"},"content":{"rendered":"\n

Bruissements : entretisser les voix<\/em><\/p>\n\n\n\n

Un ch\u0153ur indistinct. Des voix qui bruissent, n\u2019appartiennent \u00e0 personne mais traversent des corps pierres s\u00e9diments s\u2019\u00e9l\u00e8vent en nu\u00e9es d\u2019\u00e9tourneaux puis s\u2019amenuisent. S\u2019\u00e9noncent \u00e0 bas bruit. S\u2019arr\u00eatent. Reprennent.<\/em> La courte pi\u00e8ce Bruissements<\/em> a \u00e9t\u00e9 \u00e9labor\u00e9e dans le cadre du projet de recherche intersectoriel \u00ab R\u00e9\u00e9crire la for\u00eat bor\u00e9ale \u00bb qui r\u00e9unit des chercheur\u00b7es en \u00e9tudes litt\u00e9raires (UQAM) et en \u00e9cologie (UQAT). Au sein de ce \u00ab connectif de cr\u00e9ation \u00bb (Lozano- Hemmer, 2022), il s\u2019agit de mobiliser \u00ab [d]es recherches en \u00e9cologie foresti\u00e8re comme de la mati\u00e8re premi\u00e8re pour des textes de cr\u00e9ation litt\u00e9raire \u00bb. \u00c0 partir de l\u2019exploration de travaux portant sur l\u2019\u00e9cosyst\u00e8me de l\u2019esker Saint-Mathieu-Berry en Abitibi, et irrigu\u00e9e par une r\u00e9flexion dramaturgique autour de la voix accord\u00e9e \u00e0 l\u2019autre qu\u2019humain au th\u00e9\u00e2tre (Sermon, 2021), Bruissements<\/em> explore une forme \u00e9nonciative qui, sans la rejeter tout \u00e0 fait, s\u2019\u00e9loigne de la prosopop\u00e9e et du risque de \u00ab ventriloquie \u00bb (Garcin-Marrou, 2019) qui l\u2019accompagne. Les mat\u00e9riaux d\u2019\u00e9criture puis\u00e9s tout particuli\u00e8rement dans deux recherches \u2013 textes, photographies, enregistrements sonores, tableaux des esp\u00e8ces d\u2019oiseaux r\u00e9pertori\u00e9es en zone riveraine \u2013 sont ainsi d\u00e9plac\u00e9s et reconfigur\u00e9s au sein d\u2019un dispositif qui repose sur l\u2019ind\u00e9termination des voix. Nous ne savons pas qui prononce les mots ni d\u2019o\u00f9 ils proviennent. Ce \u00ab dialogue aux \u00e9nonciateurs incertains \u00bb (Sermon, 2005) s\u2019ancre dans l\u2019indiscernable, dans l\u2019irr\u00e9solu, cherche \u00e0 brouiller les temporalit\u00e9s et \u00e0 faire s\u2019effriter les fronti\u00e8res \u2013 disciplinaires, interesp\u00e8ces. L\u2019imaginaire de la perte, de la solastalgie, mais aussi de la possibilit\u00e9 de la vie continu\u00e9e est ici mis en commun : pr\u00e9sent en filigrane dans les travaux en \u00e9cologie foresti\u00e8re, il migre dans l\u2019espace dramaturgique o\u00f9 il traverse l\u2019ensemble des voix ind\u00e9finies et entrelac\u00e9es. La pr\u00e9sentation se d\u00e9clinera en trois parties : une lecture-performance \u00e0 quatre voix suivie d\u2019un bref retour sur la d\u00e9marche de cr\u00e9ation et d\u2019une discussion plus large autour de \u00ab R\u00e9\u00e9crire la for\u00eat bor\u00e9ale \u00bb et de la recherche-cr\u00e9ation intersectorielle. La lecture-performance sera assur\u00e9e par des participant\u00b7es au projet et membres \u00e9tudiant\u00b7es de la SQET.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Catherine Cyr <\/strong><\/p>\n\n\n\n

Bio : <\/strong>Professeure au D\u00e9partement d\u2019\u00e9tudes litt\u00e9raires de l\u2019UQAM o\u00f9 elle enseigne la dramaturgie contemporaine, Catherine Cyr est l\u2019autrice de plusieurs articles sur le th\u00e9\u00e2tre parus dans divers ouvrages et p\u00e9riodiques. Elle a codirig\u00e9 la revue Perc\u00e9es (2016-2024) et le groupe de travail interdisciplinaire \u00ab Arts vivants et \u00e9cologie au Qu\u00e9bec \u00bb (SQET, 2022-2024). Elle contribue depuis 2021 au projet de recherche intersectoriel \u00ab R\u00e9\u00e9crire la for\u00eat bor\u00e9ale : pratiques collaboratives et sp\u00e9culatives entre litt\u00e9raires et \u00e9cologistes \u00bb (UQAM, UQAT). Ses recherches actuelles portent sur les approches \u00e9copo\u00e9tiques en arts vivants.<\/p>\n\n\n\n

<\/div>\n\n\n\n

\u00c9rika Leblanc-Belval<\/strong><\/p>\n\n\n\n

Bio: <\/strong>Erika Leblanc-Belval est candidate \u00e0 la maitrise en \u00e9tudes litt\u00e9raires \u00e0 l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al. Son m\u00e9moire, dirig\u00e9 par Catherine Cyr, s\u2019intitule \u00ab Exp\u00e9rience de lecture, de spectatrice et d\u2019\u00e9coute des pi\u00e8ces\u00a0J\u2019aime Hydro<\/em>\u00a0de Christine Beaulieu (2017) et\u00a0Okinum<\/em>\u00a0d\u2019\u00c9milie Monnet (2020). \u00bb Depuis 2021, elle collabore en tant qu\u2019\u00e9tudiante-chercheuse au projet \u00ab R\u00e9\u00e9crire la for\u00eat bor\u00e9ale \u00bb, un projet r\u00e9unissant des corps \u00e9tudiants en \u00e9tudes litt\u00e9raires de l\u2019UQAM et en \u00e9cologie foresti\u00e8re de l\u2019UQAT. On peut lire son texte \u00ab\u00a0Fragments bor\u00e9aux \u00bb dans le collectif\u00a0Bor\u00e9aliser\u00a0<\/em>dirig\u00e9 par Jonathan Hope, Cassie B\u00e9rard, Catherine Cyr et Miguel Montoro Girona \u00a0paru en 2024.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Pierre-Olivier Gaumond<\/strong><\/p>\n\n\n\n

Bio : <\/strong>Charg\u00e9 de cours et \u00e9tudiant au doctorat en \u00e9tudes litt\u00e9raires de l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, Pierre-Olivier Gaumond aborde, dans ses recherches, l\u2019int\u00e9gration et l’imaginaire des sciences dans les  dramaturgies qu\u00e9b\u00e9coises contemporaines [CRSH 2022-2026]. R\u00e9cipiendaire du Prix de la recherche \u00e9mergente 2021 de la Soci\u00e9t\u00e9 qu\u00e9b\u00e9coise d\u2019\u00e9tudes th\u00e9\u00e2trales (SQET), il a publi\u00e9 dans les revues savantes Perc\u00e9es \u2013 Explorations en arts vivants<\/em> et MuseMedusa<\/em> et est coresponsable de l\u2019axe Th\u00e9orie et critique <\/em>de la SQET depuis 2023. Parall\u00e8lement \u00e0 sa carri\u00e8re acad\u00e9mique, il est depuis 2017 conseiller dramaturgique aupr\u00e8s de plusieurs compagnies de cr\u00e9ation en arts vivants, et accompagnateur d\u2019artistes au sein de la plateforme de recherche en arts \u00c9cotone – Espace d\u2019exp\u00e9rimentation.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Berte S\u00e9guin<\/strong><\/p>\n\n\n\n

Bio : <\/strong>Berte S\u00e9guin compl\u00e8te sa ma\u00eetrise en \u00e9tudes litt\u00e9raires \u00e0 l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, sous la direction de Cassie B\u00e9rard. Iel s\u2019int\u00e9resse aux liens qui unissent le r\u00e9el \u00e0 l\u2019imaginaire et cherche \u00e0 d\u00e9construire l\u2019opposition traditionnelle entre r\u00e9alit\u00e9 et fiction. Son m\u00e9moire de ma\u00eetrise, Feu flottant suivi de Les \u0153uvres litt\u00e9raires<\/em> sont des objets fondamentalement inconnus<\/em> proc\u00e8de d\u2019une po\u00e9tique de la diffraction narrative pour questionner la fictionnalit\u00e9 en contexte de non-fiabilit\u00e9 narrative. Iel publiera \u00e0 l\u2019automne 2025 un recueil de textes collectif intitul\u00e9 Mettre un chandelle l\u00e0-dessus<\/em>, \u00e0 l’Instant m\u00eame.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Jeanne Murray-Tanguay<\/strong><\/p>\n\n\n\n

Bio : <\/strong>Jeanne Murray-Tanguay est doctorante en \u00e9tudes litt\u00e9raires \u00e0 l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (UQAM). Elle agit \u00e0 titre de secr\u00e9taire de r\u00e9daction de la revue scientifique Perc\u00e9es \u2013 Explorations en arts vivants<\/em>, de responsable des communications de la Soci\u00e9t\u00e9 qu\u00e9b\u00e9coise d\u2019\u00e9tudes th\u00e9\u00e2trales et de coordonnatrice du projet de b\u00e9n\u00e9volat Un livre \u00e0 la fois<\/em> (UQAM; Gricole).<\/p>\n","protected":false},"excerpt":{"rendered":"

Bruissements : entretisser les voix Un ch\u0153ur indistinct. Des voix qui bruissent, n\u2019appartiennent \u00e0 personne mais traversent des corps pierres s\u00e9diments s\u2019\u00e9l\u00e8vent en nu\u00e9es d\u2019\u00e9tourneaux puis s\u2019amenuisent. S\u2019\u00e9noncent…<\/p>\n","protected":false},"author":246,"featured_media":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"tags":[],"timezone":[334],"eventtype":[492],"eventformat":[362],"eventhost":[367],"eventseries":[490],"themes":[],"accessibility":[379],"class_list":["post-6953","agoraevent","type-agoraevent","status-publish","format-standard","has-post-thumbnail","hentry","timezone-hne","eventtype-lecture-performance","eventformat-hybride","eventhost-sqet-fr","eventseries-conference-sqet-2025","accessibility-evenement-hybride-en-ligne-et-en-personne"],"acf":[],"yoast_head":"\nS\u00e9ance 4. 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