{"id":837,"date":"2023-04-13T13:12:05","date_gmt":"2023-04-13T13:12:05","guid":{"rendered":"https:\/\/theatreagora.ca\/?page_id=837"},"modified":"2024-02-21T15:23:22","modified_gmt":"2024-02-21T15:23:22","slug":"colloque-sqet-2023","status":"publish","type":"page","link":"https:\/\/theatreagora.ca\/fr\/colloque-sqet-2023\/","title":{"rendered":"Colloque SQET 2023"},"content":{"rendered":"\n

<\/span>Traces des arts vivants au Qu\u00e9bec et au Canada francophone<\/em><\/span><\/h2>\n\n\n\n
\"Archives
Archives du CRCCF, Fonds Gilles-Provost (P420) P420-S2-SS1-SSS1-D42_5<\/figcaption><\/figure>
\n

Colloque conjoint du Centre de recherche sur les francophonies canadiennes (CRCCF) et de la Soci\u00e9t\u00e9 qu\u00e9b\u00e9coise d\u2019\u00e9tudes th\u00e9\u00e2trales (SQET)<\/h4>\n\n\n\n

8-10 juin 2023<\/p>\n\n\n\n

Universit\u00e9 d’Ottawa<\/h4>\n<\/div><\/div>\n\n\n\n
\n

<\/span>Programme<\/span><\/h3>\n\n\n\n
<\/div>\n\n\n\n

Le th\u00e9\u00e2tre est un art vivant, un art de l\u2019\u00e9ph\u00e9m\u00e8re. Et pourtant il laisse des traces, des empreintes qui marquent son passage et qui, sans permettre la reconstitution du spectacle, suscitent l\u2019attention d\u2019un grand nombre de personnes et d\u2019institutions. Ces traces d\u00e9limitent ce qui a \u00e9t\u00e9, ce qui se fait, ce qui n\u2019est plus, ce qui est toujours possible. Dans le cadre du colloque conjoint de la Soci\u00e9t\u00e9 qu\u00e9b\u00e9coise d\u2019\u00e9tudes th\u00e9\u00e2trales (SQET) et du Centre de recherche sur les francophonies canadiennes (CRCCF), nous souhaitons explorer et r\u00e9actualiser les traces de l\u2019\u00e9cologie th\u00e9\u00e2trale, que ce soit en interrogeant leur nature et leurs formes, leur production, leurs fonctions et contributions, leur r\u00e9ception et utilisation, ainsi que leur gestion et conservation.<\/p>\n\n\n\n

\n
Voir l’horaire d\u00e9taill\u00e9 du colloque<\/a><\/div>\n<\/div>\n<\/div>
\"Archives
Archives du CRCCF\nFonds Gilles Provost (P420) Ph326-186<\/figcaption><\/figure><\/div>\n\n\n\n

<\/span>Comit\u00e9 organisateur<\/span><\/h2>\n\n\n\n
\n
\n
Miriam Cusson<\/h5>\n\n\n\n

D\u00e9partement de th\u00e9\u00e2tre, Universit\u00e9 d\u2019Ottawa<\/p>\n<\/div>\n\n\n\n

\n
Lucie Hotte<\/h5>\n\n\n\n

Centre de recherche sur les francophonies canadiennes, Universit\u00e9 d\u2019Ottawa<\/p>\n<\/div>\n\n\n\n

\n
Marie-Eve Skelling Desmeules<\/h5>\n\n\n\n

D\u00e9partement des arts, des lettres et du langage, Universit\u00e9 du Qu\u00e9bec \u00e0 Chicoutimi<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
Louise Frappier<\/h5>\n\n\n\n

D\u00e9partement de th\u00e9\u00e2tre, Universit\u00e9 d\u2019Ottawa<\/p>\n<\/div>\n\n\n\n

\n
Nicole Nolette<\/h5>\n\n\n\n

D\u00e9partement d\u2019\u00e9tudes fran\u00e7aises, Universit\u00e9 de Waterloo<\/p>\n<\/div>\n\n\n\n

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Ce colloque a \u00e9t\u00e9 rendu possible gr\u00e2ce \u00e0 l\u2019appui du Secr\u00e9tariat du Qu\u00e9bec aux relations canadiennes (SQRC), du D\u00e9partement de th\u00e9\u00e2tre de l\u2019Universit\u00e9 d\u2019Ottawa, du Centre de recherche interuniversitaire sur la litt\u00e9rature et la culture qu\u00e9b\u00e9coises (CRILCQ) et du Conseil des arts du Canada<\/em><\/p>\n<\/div><\/div>\n\n\n\n

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